Red Mercury tap Gargoyle Girlfriend as they explore the emotional contradictions of moving home through forward-thinking, hardware-focussed EDM production on new single 'People are to Love'.

‘People are to Love’ is a collaboration with Gargoyle Girlfriend— real name Rachel McInerney— a Hong Kong-based DJ and producer known for an angelic vocal range and cyberpunk-tinged lyrics which harmonises with the hardware-first approach of Red Mercury’s production. The single is a reflection on the excited uncertainty of moving cities, drawn from Steve’s experience moving from Australia to London, and Rachel’s move from America to Hong Kong.

Red Mercury Teams Up With Gargoyle Girlfriend on Hypnotic New EDM Single 'People are to Love.'

London-based electronic duo Red Mercury, producer Steve Gregory and vocalist/writer Isobel Crawford, return with “People are to Love”, their most cinematic and immersive release yet. Blending drum & bass, techno, and widescreen electronic textures, the track balances tactile low-end production with striking vocal hooks, moving effortlessly between club intensity and narrative-driven atmosphere.

Red Mercury and Gargoyle Girlfriend Deliver Festival-Ready Electronic Journey in 'People are to Love.'

If you thought London’s Red Mercury were already pushing the limits of electronic music, their new single “People are to Love” proves they’re just getting started. Producer Steve Gregory and vocalist/writer Isobel Crawford have crafted a track that’s part cinematic techno, part progressive house, and 100% immersive, a sound that works as beautifully on the festival mainstage as it does through headphones at home.

London-based electronic duo Red Mercury, consisting of producer Steve Gregory and vocalist/writer Isobel Crawford, return with their most immersive release yet, ‘People are to Love’.

Blending drum & bass, techno, and widescreen electronic textures, the duo pair tactile, modular synth-driven production with compelling vocal hooks and emotive storytelling, moving seamlessly between high-energy club intensity and cinematic atmosphere.

In I Still Remain, Red Mercury shows how Beeble can unlock big, cinematic sci-fi visuals for small teams, taking care of the heavy lifting on rotoscoping, relighting, and getting live-action performances into Unreal Engine.

When London-based electronic duo Red Mercury started work on their I Still Remain music video, they didn't have a studio, a VFX team, or a budget – just a DSLR, a £20 blue sheet, and a one-bedroom flat.

Nine months later, they'd crafted a cinematic sci-fi short about cloning, identity, and survival in a hostile city, filled with Unreal Engine environments, gunfire lighting, swarms of creatures, and a grounded central performance. The key was using AI not to generate content, but to handle the behind-the-scenes VFX work that usually eats up time and resources.

Steeped in cyberpunk atmosphere and pulsing with festival-ready energy, London-based electronic duo Red Mercury return with their most cinematic release to date: ‘People are to Love’. The track marks a global collaboration with Hong Kong-based DJ and producer Gargoyle Girlfriend (Rachel McInerney), fusing the duo’s signature modular synth-driven sound with Rachel’s ethereal vocals and dystopian lyricism.

Operating at the intersection of drum & bass, progressive house, and widescreen electronica, Red Mercury craft immersive worlds built for both the dancefloor and the deep introspective moment after. On ‘People are to Love’, they channel the rush of dislocation and discovery, drawing from their own transcontinental relocations: Rachel’s move from the U.S. to Hong Kong, Steve’s journey from Australia to London.

London-based electronic duo Red Mercury return with ‘People are to Love’, a tightly constructed yet expansive single that reinforces their position within the cinematic EDM space. Blending elements of techno, progressive house, and drum & bass, the track balances club-ready propulsion with a strong sense of atmosphere and narrative intent.

Built around modular synth textures and a driving low-end, ‘People are to Love’ unfolds with measured tension and restraint, gradually opening into a hypnotic, forward-moving groove. The production is polished and physical, designed for large systems without sacrificing detail or emotional depth.

Red Mercury have built their reputation on scale – not just volume, but emotional and cinematic scope, and ‘People are to Love’ feels like the clearest distillation of that vision yet, and we premiere it here at Music Crowns.

The London-based duo blur the lines between club functionality and widescreen storytelling, crafting electronic music that’s as suited to a darkened warehouse as it is to late-night headphone immersion.

Red Mercury are a London based duo who have built a reputation for merging the worlds of cinema and drum and bass into a distinct sound that thrives on both atmosphere and power. Formed by producer Steve Gregory and vocalist Isobel Crawford, their work has always been rooted in contrasts, balancing luminous top end melodies against heavy sub bass, sleek futuristic textures against raw emotive performances. Anchored in analog hardware and performance takes, their process emphasizes depth, tactility, and cinematic presence, resulting in tracks that can move between headphones and festival stages without losing impact. With ten singles across five years, they have shaped a future facing sound that blends the intensity of the club with the expansiveness of widescreen storytelling.

Originating from the vibrant music scene of London, England, Red Mercury is making waves with their latest original single, "I Still Remain." This talented artist, led by Steve Gregory, who played all instruments, produced and mixed the track alongside Isobel Crawford, who contributed lyrics and vocals, and has crafted a mesmerizing piece of music that is set to captivate audiences worldwide. With production based in the iconic Notting Hill and mastering by Matthew Gray Mastering in Brisbane, Australia, Red Mercury's sound is a fusion of cutting-edge creativity and musical prowess.